Curated

A Negroni Made of the 1960s

On a 1960s-themed Ritz-Carlton bar that could have worn the decade as costume and instead bought the actual era in a bottle: a Negroni built from sixty-year-old Campari and vermouth that tastes of time itself, buried under a regular menu that mostly trades in decor.

Anon NonaFebruary 4, 20265 min read
A polished 1960s-themed hotel cocktail lounge at the Ritz-Carlton with red Venetian glass accents, and a vintage Negroni made from sixty-year-old Campari and vermouth in a heavy tumbler

There is a difference between a 1960s-themed Negroni and a Negroni made of the 1960s.

Most themed bars offer the first. The era is the costume: the styling, the music, the glassware, the cocktail named for the period and made of the present. The drinker gets a recreation, a Negroni built this week and dressed in mid-century reference. Republic, the 1960s-themed bar at the Ritz-Carlton, offers the second. It pours a Negroni built from Campari and vermouth actually bottled in the 1960s, spirits that have spent six decades in glass, and the drink tastes of the time it has spent there. That literalness is what Republic is doing differently, and it is what separates Republic from a genre that mostly trades in decor.

The bar opened in April 2021 with a concept built around four 1960s cultural epicentres, Singapore, the UK, the US and Italy, and the styling delivers the costume thoroughly: the polished hotel-lounge grandeur, the six private "Home Bars" with their handcrafted red Venetian glass, the period references throughout. At first read it is a well-executed themed hotel bar, a room wearing an era. The vintage-spirit list is what makes the era literal rather than worn.

The drink that tastes of time

The 1960s Negroni costs $125, and the price is the cost of the bottles rather than the cocktail.

The drink is built from Campari and vermouth actually bottled in the 1960s, spirits that have oxidised and evolved across sixty years in glass. The server framed it correctly before it arrived: this would taste oxidised and mellow rather than bright, and the framing was the honest way to sell a curiosity at this price. The first sip was the test. The drink tasted of age. The Campari's bitterness had softened and deepened, losing the sharp modern edge and gaining something rounder. The vermouth had oxidised into something more sherried, deeper, less precise. The whole Negroni read mellower and stranger than a fresh-built one, aged in a way no fresh drink can fake.

It was not better in a simple sense. A fresh Negroni is brighter, more precise, more obviously delicious. The vintage one was genuinely different, and the difference was the decade itself. You weren't drinking a recreation of a 1960s Negroni, the modern bar's costume version built this week and dressed in reference. You were drinking the 1960s, sixty years on, remade by the time in the bottle. The oxidation that a sommelier fears in an old wine was, here, exactly what they were after. The spirits had changed, and the change was history made drinkable.

That literalness is what no costume bar can offer. A themed room can recreate the look of an era, its music, its glassware, its menu names. Only a vintage-spirit program can let you taste the era, and not a recreation of it but the actual decade, changed by everything that happened to the bottle since. The 1960s Negroni does this where the rest of the room only dresses up, and it is a real sensory proposition rather than an expensive talking point.

Where the bar is only the costume

The everyday menu is where Republic returns to the genre it rose above for one drink.

The Mythical Beast (Brass Lion dry gin, Orleans bitters, a dry-sherry character, $25) was the strongest of the regular list: a well-built, properly balanced cocktail in 1960s dress. The You Only Live Twice floral martini, with dill and sakura vermouth, was pretty and photogenic and competent. Both were good hotel-bar cocktails. Both were also made of the present and dressed in the era, the costume register, the kind of themed drink any well-run hotel bar produces. They were fine. They were not the literal-era experience the vintage pour offers.

That gap is the honest shape of Republic. The vintage Negroni is the reason to come. The $25 menu is the reason to stay, in that order. The everyday cocktails are good and themed; the vintage pour is singular and literal. A drinker who orders only the regular menu has had a competent themed-hotel-bar evening and missed the one idea that distinguishes the room. A drinker who orders the vintage Negroni has tasted the thing no other themed bar can pour.

The private Home Bars, with their red Venetian glass, are the theme at its most decorative, the era as a premium private experience, the costume sold as an upgrade. They sit at the opposite pole from the vintage Negroni, the decade as decor rather than as substance. Between the vintage pour and the Home Bars, Republic holds both the most literal and the most decorative versions of its own theme, and the distance between them is the bar's character.

The friction

The friction with Republic is the gap between the one literal idea and the costume around it.

The everyday menu is themed but ordinary, good cocktails in 1960s dress rather than the literal-era experience the vintage program promises. A drinker who came for the concept and orders the regular list will get the costume instead of the substance. The vintage pour is where the concept becomes real, and it is a single curiosity rather than a way to drink the whole evening.

The other friction is the price and the repeatability. The $125 vintage Negroni is a one-time curiosity, a thing to taste once and not order again. The drinker who wants to taste history pays the price once and then returns, if they return, to the $25 menu, which is a different and lesser proposition. The bar's best idea is also its least repeatable.

The third is the destination register. Republic is reservation-led, polished, special-occasion, a hotel-lounge destination rather than a neighbourhood bar. The vintage pours, the Home Bars and the grandeur all select for the event rather than the regular visit. A drinker who wants a casual cocktail will find the room calibrated for the occasion.

What the bar is for

Republic is one of the rare themed hotel bars in Singapore where the theme is, for one drink, literal rather than worn. The 1960s Negroni, built from sixty-year-old Campari and vermouth and tasting of time and oxidation, is the decade itself in the glass. The regular menu is the era as costume. The Home Bars are the era as decor. The vintage program is the one genuinely literal idea, buried under a room that mostly trades in the decorative.

The vintage Negroni, mellow and oxidised and strange, was the drink that made the era literal. A 1960s-themed bar that could have coasted on the costume instead bought the actual decade in a bottle, and it has done the more interesting thing once, at the top of a menu otherwise content to recreate rather than to pour the real thing.

A 1960s-themed Negroni and a Negroni made of the 1960s are not the same thing, and Republic offers both. The literal one is worth the trip and the costume one is worth the stay, and a drinker who knows which is which will order in the right order.

A Negroni Made of the 1960s — Curated